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Hamilton Lugar School of Global and International Studies

Central Eurasian Studies

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  • Zsuzsana Szegedy-Maszak

Zsuzsana Szegedy-Maszak

Visiting Hungarian Professor

Email:
sszegedy@iu.edu
GA 3037

Education

2020: PhD, Eötvös Loránd University Faculty of Humanities, Doctoral School of Philosophy (art history)
Doctoral dissertation: Barabás Miklós és a fényképészet (Miklós Barabás and photography)
2006: Columbia University (New York, NY, USA), continuing studies
2004: MA, Eötvös Loránd University Faculty of Humanities, Art History
1999-2000: Indiana University (Bloomington, IN, USA), transfer student

Professional Experience

2021-current: Hungarian National Museum, Historical Photo Department, senior curator
2019: Curator of Hungarian Pavilion, Venice Biennale  
2018–2021: Head of Budapest History Museum-Budapest Gallery
2016–2018: Budapest History Museum-Budapest Gallery, head of Exhibition Department
2013–2016: Budapest History Museum-Budapest Gallery, curator, Exhibition Department

 

Selected Publications

Edited Books 

Tandem. Kerékpár és fényképezés. (Tandem. Photography and the Bicycle), Hungarian National Museum, 2022

Tamás Waliczky: Imaginary Cameras, Hungarian Pavilion, Venice Biennale, exhibition catalogue, 2019 

Scale. Exhibition catalogue. (with Flóra Gadó), Budapest History Museum-Budapest Gallery, 2019 

Double Heads Matches. A selection of contemporary artworks from four
Romanian private collections. Exhibition catalogue (with Diana Marincu), Budapest History Museum-Budapest Gallery, 2018 

Text and Image in the 19-20th Century Art of Central Europe. (with Katalin Keserü), Eötvös University Press, 2010 

Szegedy-Maszák György vázlatfüzet (The sketchbook of György Szegedy-Maszák), Gondolat, 2005

Szegedy-Maszák György 1904-1984. Exhibition catalogue, Ernst Museum, 2004

Journal Articles and Book Chapters

The quiet protracted moments in Matthew Moore’s Post-Socialist Landscapes. Essay in the photo book of Matthew Moore. (forthcoming) 

Taking Imaginary Photos with Tamás Waliczky's Imaginary Cameras In: Artifact & Apparatus, Hugo Ljungbäck (ed.), 2022. http://www.artifactapparatus.com/journal/2021/1/Szegedy-Maszak/Szegedy-Maszak.pdf

„Vannak, akik szinte minden emlékműre feloldozásként tekintenek” Beszélgetés James E. Younggal (Some people regard almost every memorial as a form of redemption.” An Interview with James E. Young) In: Elhallgatva. A háborús erőszaktétel története és megjelenítése. (eds.: Edit András – József Mélyi – Andrea Pető), 2022

Magánúton. Barabás Miklós fényképészeti receptkönyve (A Personal Journey. Miklós Barabás’s Notebook on Photographic Processes) In: Fotóművészet 2021/4

„...talán sosem váltottam szót élő művésszel úgy, hogy Cezanne neve ne merült volna fel viszonylag hamar”: Interjú Richard Shiffel (“I may never have talked to a living artist where the Cezanne issue didn’t come up pretty quickly.” An Interview with Richard Shiff) Art Magazin 2021/6. English version forthcoming in the Bulletin du Musée Hongrois des Beaux-Arts

Piti Marcell variációi a tájképre (Marcell Piti’s Variations on the Landscape) In: Fotóművészet 2020/4 

Amerikai kabinetképek reflektorfényben (American Cabinet Cards in the Limelight) In: Fotóművészet 2020/3 

Review of Photography and Other Media in the Nineteenth Century, ed. Nicoletta Leonardi and Simone Natale In. Fotótörténet I. (Photo History) (ed.: Zoltán Fejős), 2020

The Recently Discovered Notebook of Miklós Barabás. A Case Study of How Photographers in Eastern Europe Acquired Information on the Wet‐Collodion Process. In: Proceedings of the conference Don’t Press Print. Royal Photographic Society, 2020 

Kísérlet, gyakorlat, elmélet: Tanulmánykötet a média archeológia meghatározó szerzőitől. (Review of New Media Archaeologies. Amsterdam University Press, 2019, eds.: Ben Roberts and Mark Goodall.)

Balkon online 2020 https://balkon.art/home/kiserlet-gyakorlat-elmelet/

Invented True Family Stories. In: Hungarian Month of Photography. (ed.: Gabriellan Uhl), Budapest, 2018

Innovation on the Periphery of Europe. Miklós Barabás, In: Journal of Stereo and Immersive Media, vol. 2, 2018 https://revistas.ulusofona.pt/index.php/stereo/article/view/6809

Az identitás eltörlése a lánytestvérekről készült dagerrotípiákon (Blurring Identities – Daguerreotype Portrayals of Sisters), In: Tanulmányok Budapest Múltjából, 2018

Merce Cunningham Common Time című kiállítás restrospektív tárlata (The Retrospective Exhibition of Merce Cunningham) Balkon: Kortárs Művészeti Folyóirat 2017/4

Távol állás: I Can’t Work Like This. A Reader of Recent Boycotts in Contemporary Art. Balkon: Kortárs Művészeti Folyóirat 2017/9 

Körösfői-Kriesch Aladár portréfestészete. (Portraits by Aladár Körösfői-Kriesch) In: Körösfői-Kriesch Aladár (1863-1920) festő- és iparművész monográfiája és oeuvre katalógusa. (eds. Zsuzsa Farkas, Cecília Őri Nagy) Gödöllő, 2016

Az olvasás történetei (The Histories of Reading). In: Ars Hungarica, 2014/2

Női olvasás a 19. századi Angliában. (Women Reading in 19th Century England) In: A zsoltártól a rózsaszín regényig, (ed.: Júlia Papp) Budapest, 2014 

The Social Circle of Miklós Barabás at the Inception of his Career. In: Hungary in Context. (eds.: Anna Tüskés, Áron Tóth, Miklós Székely) Centrart, 2013

A családi képek szerepe Barabás Miklós művészetében (The role of family images in the art of Miklós Barabás) In. Barabás Miklós (ed. Attila Balázs) Budapest, 2011

A More Nuanced Portrait. The Bicentennial of the Birth of Miklós Barabás (1810-1898). In: The Hungarian Quarterly. Vol. 51. 2010

Autobiography as Image, as Text. Miklós Barabás. In: Text and Image in the 19-20th Century Art of Central Europe. (eds.: Katalin Keserü, Zsuzsanna Szegedy-Maszák), Eötvös University Press, 2010

Barabás Miklós 1827-1828-ból származó „portrait gyűjteménye”. (The “portrait collection” of Miklós Barabás from 1827-1828) In: Eszmény és hasonlatosság. Tanulmányok és adatközlések Barabás Miklós születésének 200. évfordulójára (Idealization and resemblance. Studies published on the occasion of the 200th anniversary of the birth of Miklós Barabás) Csíkszereda, 2010

Barabás Miklós és a perspektíva (Miklós Barabás and Perspective). In: Művészettörténeti Értesítő. Budapest, 2009/2

Két portré Barabás Miklósné, Susanne Bois de Chesne-ről (Two portraits of Susanne Bois de Chesne, wife of Miklós Barabás) In. Omnis creatura significans: Tanulmányok Prokopp Mária 70. születésnapjára. (Essays in Honour of Mária Prokopp) (eds. Anna Tüsés, Terézia Kerny) Budapest, 2009

Drawing Instruction and the Cultivation of Taste. In: Hungarian Studies. 2008/1-2 https://akjournals.com/view/journals/044/22/1-2/article-p157.xml

A művészi alkotófolyamat iránti érdekődés Lossonczy Tamás 1945 és 1949 közötti naplójában. (An interest in the creative process in the 1945-1949 diaries of Tamás Lossonczy) In. Tanulmányok Lossonczy Tamás művészetéről (Studies on Tamás Lossonczy’s Art) (eds. Gábor Andrási, Gábor Pataki) Budapest, 2006 

Selected Invitational Lectures and Conferences

2021

Tamás Waliczky’s Imaginary Cameras. Stereo and Immersive Media, CICANT, Lusófona University, June 11-12, 18-19, 2021

Photographic Self-Portraits as Comments on the Paragone Debate, Association of Art History, 14-17 April 2021

Surveying Bucharest. The 1832 Panorama Sketch by Miklós Barabás. New Europe College Institute for Advanced Study, 1 April 2021

Combining Photography with Painting in the Service of Memory. Plenary Session, 4th Memory, Forgetting and Creating International Interdisciplinary Conference. Warsaw, 15 January 2021

The Future of Monumentality, High Line, 27-28 January 2021

2020

Digital Materialism: Tamás Waliczky’s Imaginary Cameras, MAPS (Media Art Preservation Conference) Ludwig Museum, Budapest, 14-15 February 2020

The Recently Discovered Notebook of Miklós Barabás. A Case Study of How Photographers in Eastern Europe Acquired Information on the Wet‐Collodion Process. Don’t Press Print. Royal Photographic Society, 1. October 2020

2018         

Innovation on the Periphery of Europe. Miklós Barabás, Stereo and Immersive Media, Lisbon, June 28, 2018 

2017         

Az identitás eltörlése a lánytestvérekről készült dagerrotípiákon (Blurring Identities – Daguerreotype Portrayals of Sisters), Budapest History Museum, 2017

Mihály Szegedy-Maszák and the Visual Arts. 34th György Ránki Hungarian Chair Conference. MA 100 Years After: The Impact of the Hungarian Avant-Garde. Bloomington, Indiana, April 14-15, 2017

2013

Körösfői-Kriesch Aladár portréfestészete (Portraits by Aladár Körösfői-Kriesch), Gödöllő Museum, September 14, 2013

2010         

The Social Circle of Miklós Barabás at the end of 1827 and beginning of 1828, Hungarian Academy of Sciences, November 15-16, 2010

2009         

Autobiography as Image, as Text. Text and Image in 19th and 20th Century Art in Central Europe. Eötvös Loránd University. September 20-22, 2009

Memberships

Photography Network
AICA (International Association of Art Critics) – Hungary
MAFOT Hungarian Society for the History of Photography

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